This is Not Street Art

“This is Not Street Art” was St+art India’s first-ever exhibition, held during the 2014 St+art Delhi Festival. While large-scale murals and urban art interventions were ongoing in Shahpur Jat, Hauz Khas Village (HKV) served as the venue for this street art exhibition, showcasing works by 22 national and international artists.

Housed in a defunct, dilapidated space in the heart of HKV, the venue reflected an aesthetic aligned with the unconventional nature of street art. Its rustic and grungy interiors, untouched since the 1990s, juxtaposed the vibrant and experimental works on display, creating an informal and approachable environment that broke away from the sterility of conventional gallery spaces.

The exhibition aimed to highlight the multifaceted practices of street artists, presenting not only their work in the public domain but also site-specific installations and experimental pieces that delved deeper into their artistic processes. Visitors were invited to engage with street art in a new light, as the exhibition sought to redefine perceptions of urban art.

Entrance Passageway by Sid and Corvz

The entry to the exhibition was through a narrow passageway painted by Indian artist Sid and Italian artist Corvz. Their artwork served as an inviting threshold, encouraging passersby to enter the exhibition and discover the space within.

Artworks and Artists

Okuda: Presented signature surrealist pieces that merged geometric patterns with vibrant colors, reimagining the rustic space.

Hendrik ECB: Showcased monochromatic works that explored the human condition.

M-City: Created intricate, stencil-based urban landscapes.

Mattia Lullini: Brought whimsical illustrations to life with bold lines and vivid hues.

Bond, Foe, Tona, and Alias: Contributed graffiti-inspired works that layered storytelling with raw urban aesthetics.

Ranjit Dahiya: Paid homage to Bollywood and Indian cinema with his iconic larger-than-life depictions.

Opening Night

The opening night featured a surprise performance by a local brass band, reminiscent of North Indian wedding processions. This lively addition brought a celebratory air to the event and underscored the cultural inclusivity of the exhibition.